Meyer Sound Reinforces Elite Events at Beverly Hilton

by Debi Moen
in News
Beverly Hilton's International Ballroom is the site of prestigious events such as the Golden Globes, the Academy Awards Oscar nominees luncheon, the Director's Guild Awards, the American Cinema Editors' Eddie Awards, the Visual Effects Society awards, and the Clive Davis Pre-Grammy Party.
Beverly Hilton's International Ballroom is the site of prestigious events such as the Golden Globes, the Academy Awards Oscar nominees luncheon, the Director's Guild Awards, the American Cinema Editors' Eddie Awards, the Visual Effects Society awards, and the Clive Davis Pre-Grammy Party.

LOS ANGELES - A  new Meyer Sound Leopard liner sound reinforcement system is serving the prominent entertainment industry event gatherings at the Beverly Hilton's International Ballroom in Los Angeles. Encore Event Technologies purchased the system for its production services to meet its challenges of supplying crisp speech intelligibility along with the musicality of A-List performers.

More details from Meyer Sound (www.meyersound.com):

Encore Event Technologies has purchased a new Meyer Sound Leopard linear sound reinforcement system to serve as the sonic foundation for production services it provides in the International Ballroom of the Beverly Hilton. As the hotel's resident production services provider, Encore supplies technology for more than 300 events annually, including such prominent entertainment industry gatherings as the Golden Globes, the Academy Awards Oscar nominees luncheon, the Director's Guild Awards, the American Cinema Editors' Eddie Awards, the Visual Effects Society awards, and the Clive Davis Pre-Grammy Party.

Performance requirements for the audio system are challenging as it must supply crisp speech intelligibility for up to 1,100 guests along with the power reserves and musicality needed for live music performances — often from A-list artists — and convincing reproduction of the high-impact soundtracks accompanying clips from blockbuster Hollywood releases. All these factors were considered by Rachel Wolfe, director of event technologies at Encore's Beverly Hills location, in making her selection of the Leopard-based system.

"We had a Meyer Sound MICA system in here for about 10 years and we were pleased with its performance," says Wolfe, "but I felt like it was time to invest in newer, updated technology. I'd heard Leopard at other venues and was convinced it was the right choice. The power and clarity are all I expect from Meyer, and Leopard's wide coverage works well with the shape of the room. Also, the slender profile of the arrays is visually appealing and fits in well with our other staging requirements."

Clint Rowland, a freelance FOH engineer frequently contracted by Encore to mix events at the venue, admits he was both excited and hesitant when the Leopard system made its debut. "I was somewhat nervous because I had relied on the MICA loudspeakers for the six years I had worked here," he says. "But I was relieved and excited when I first started pumping music through it. I was even more impressed when they put up a podium mic and then walked around with a wireless lav. This is a tricky room to work in, with a low ceiling that's covered with video and lighting gear, and layout changes drastically with different events. But Leopard is giving us great sound and superb gain before feedback."

Provided by Chicago-area integrator TC Furlong, the new audio reinforcement system is anchored by dual arrays of six each Leopard line array loudspeakers and supplemented in sub-bass by four 1100-LFC low-frequency control elements. The complete Meyer Sound roster also includes 11 UPJ-1P VariO loudspeakers and four UPM-1P loudspeakers, one MM-4XP self-powered loudspeaker, and four MJF-210 stage monitors.

Jack Hayback, another regular freelancer at the venue, appreciates the accolades he's received from clients regarding the sound quality at recent events. "We're getting rave reviews for Leopard and 1100-LFC. There's just so much clarity from top to bottom, and the high-frequency response is so well controlled and predictable. It's just a fantastic box, and we're all enjoying it."

For his part, Rowland is particularly enamored with how Leopard responds to the full spectrum of program material and output levels. "With Leopard, it doesn't matter if we're doing a corporate show with talking heads, a fundraiser with A-list bands or an awards show. The volume level does not affect the tonality. You can mix a low volume presenter and then move to a dinner band, then on to a full rock performance or action movie soundtracks. Whatever you do, the system behaves in a linear fashion. You don't have to push it to a certain volume to get the sound you want. You get 'power without the pain' as one of my colleagues likes to say."

The recent audio renewal by TC Furlong also included installation of a new Yamaha Rivage PM10 digital mixing console.