- George Petersen
Doing any live event can be a high-stakes affair. You get one take, one shot and one chance to get it right. In a Christmas pageant at a local church or a coffeehouse performance at a neighborhood bistro, such situations provide for a certain amount of production concerns, perhaps with a 0.5 rating on a 1 to 10 scale. These should hardly lead to anxiety on the part of any seasoned audio production pro. Now let’s bump up the ante a bit — in this case, the first nationally televised debate on Sept. 26 at Hofstra University with Republican nominee Donald Trump and Democratic nominee Hillary Clinton.